Tag Archives: Choir

Coro de la Catedral de Santa Maria de Segovia by neobit

El Coro de la Catedral de Segovia se encuentra situado frente al Altar Mayor y ocupa los tramos tercero y cuarto respectivamente. Proviene, en su mayor parte, de la catedral antigua. Posee sillería alta y baja. Un total de 116 sillas. A este número debemos incluirle las dos reservadas a los Reyes y a la Episcopal. Los entalladores Juan Gil y Jerónimo de Amberes fueron los encargados de colocar esta sillería en el año 1558, que procede, en su mayor parte, de la catedral antigua.
La sillería es de estilo gótico. La decoración es geométrica en los respaldos. En los brazos destacan temas naturales. La sillería alta está aderezada por doseletes dispuestos sobre finas columnas y con tracerías caladas. El respaldo son arcos coropiales que a su vez encierran arcos rebajados sobre larguísimas columnas.
En la silla episcopal destaca el respaldo adornado con el escudo de armas del obispo Juan Arias Dávila. Este gobernó en la diócesis segoviana entre los años 1461 y 1497.
Conviene destacar que el doselete que cubre esta silla fue rehecho por Huici en 1789. Este evanista, vecino de La Granja fue el encargado de terminar la sillería, en el año 1790.
Las sillas destinadas a los reyes se encuentran al lado de la silla episcopal. Estas poseen varios escudos: cuatro de ellos con las armas de Castilla y Portugal; otros cuatro con las armas de Castilla. Todos ellos policromados.
También, poseen estas sillas reales, agudos doseletes coronados, respectivamente, por un heraldo que sostiene el blasón de Castilla y por un león abanderado.La relevancia depositada en la construcción de estas sillas viene dada por la tradición de Enrique IV de asistir a los oficios divinos en el coro.
Llegando al centro del coro encontramos el facistol, atribuido a Vasco de la Zarza en el siglo XVI. Este se asiente sobre un bello pie renacentista .
Los suntuosos órganos completan el coro. En ellos se disponen dos doradas cajas que, llenando de todo el hueco de la arquería, llegan hasta la clave. Las cajas son obra del tallista Juan Maugan, mientras que los opulentos órganos son obra de José y Pedro Chavarria y datan de 1770.
El órgano de la Epístola y el órgano del Evangelio nos revelan el esplendor del que goza la música en la catedral y que tan unida está a la solemnidad litúrgica.
Una reja barroca, que fue forjada en Elgoibar y colocada en 1729, cierra el coro. Esta fue construida por Antonio de Elorza, quien también se encargó de la construcción de la Valla o Vía Sacra. Este provenía de una ilustre familia de rejeros a quienes se debe gran parte del resto de las rejas del templo.
El final de la vía sacra da paso a la Capilla Mayor, espacio reservado al Cabildo. Carlos III (1759-1788) fue quien mandó construir el altar actual, con diseño de Francisco Sabatini (1722-1795). Su construcción data del 1768 y terminado en el año 1775 en los talleres del Palacio Real de Madrid.

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Catedral de Santa María de la Sede de Sevilla by neobit

La catedral de Santa María de la Sede de Sevilla, better known as Seville Cathedral, is a Roman Catholic cathedral in Seville (Andalusia, Spain). It is the largest Gothic cathedral and the third-largest church in the world. It is also the largest cathedral in the world, as the two larger churches, the Basilica of the National Shrine of Our Lady of Aparecida and St Peter’s Basilica, are not the seats of bishops.
Seville Cathedral was built to demonstrate the city’s wealth, as it had become a major trading center in the years after the Reconquista in 1248. In July 1401 it was decided to build a new cathedral. According to local oral tradition, the members of the cathedral chapter said: “Hagamos una Iglesia tan hermosa y tan grandiosa que los que la vieren labrada nos tengan por locos” (“Let us build a church so beautiful and so grand that those who see it finished will think we are mad”). Construction began in 1402 and continued until 1506. The clergy of the parish gave half their stipends to pay for architects, artists, stained glass artisans, masons, carvers, craftsman and labourers and other expenses.
Five years after construction ended, in 1511, the dome collapsed and work on the cathedral recommenced. The dome again collapsed in 1888, and work was still being performed on the dome until at least 1903. The 1888 collapse occurred due to an earthquake and resulted in the destruction of “every precious object below” the dome at that time.
The interior has the longest nave of any cathedral in Spain. The central nave rises to a height of 42 meters and is lavishly decorated with a large quantity of gilding. In the main body of the cathedral, the most noticeable features are the great boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retablo of carved scenes from the life of Christ. This altarpiece was the lifetime work of a single craftsman, Pierre Dancart.

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Basílica de Santa Maria del Pi by neobit

Basílica de Santa Maria del Pi is a 14th-century Gothic church in Barcelona, Catalonia, Spain. It is situated on the Plaça del Pi, in the Barri Gòtic district of the city.
There are unsubsantiated claims that there was an early Christian church on the site in 413. However it is known that in 987 there existed a church outside the city walls and to the west of Barcelona. This was a small Romanesque church dedicated to the Blessed Lady of the Pine Tree (one of the titles of the Virgin Mary). The church was built between 1319 and 1391. The style of the church was Catalan Gothic, with a single nave almost devoid of ornamentation. However in 1936 the church was gutted by a fire and was later restored.
The floor plan of the church comprises a single nave made up of seven rectangular sections, each covered with a vaulted ceiling and with side-chapels placed between the supporting pillars. The interior length of the nave is 54 metres, the width is 16.5 metres and the height is 12.2 metres. The fire of 1936 destroyed the high altar, the altarpiece, the statues, the choir stalls from 1868 and the organ created in 1808 by Johan de Kyburz.
The high altar is made of alabaster and is the work of Joaquim de Ros i de Ramis. It was installed in 1967.
In the presbytery is a statue of Santa Maria del Pi, 3.3 metres high, created in 1973 by sculptor Enric Monjo.
The original Baroque choir stalls dated from 1771 and were designed by Josep Mas i Dordal. In 1868 these were replaced by neo-gothic stalls, which were destroyed in the fire of 1936. In 1986 the previous baroque stalls were re-instated.
The original stained-glass windows have not survived. The oldest of those that exist now date from 1718. Of these, the window depicting the Adoration of the Magi (above the Door of Avemaria) is the work of Antoni Viladomat.

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Cathédrale Saint-Nazaire-et-Saint-Celse de Béziers by JohannesOehl

Béziers Cathedral was built in middle of 13th century and has different architecture styles: some Roman bows, gothic bows and baroque choir. The building is 50m long, 33m wide and 32m high. Outside is a tower which is 48m high. The cathedral is the landmark of Béziers.
This is my last photo I am uploading from my vacation in France. Tomorrow we will drive home to Germany.

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